Looks like it might be a busy weekend at the theaters this weekend. New film releases include The Magnificent Seven (Chris Pratt, Denzel Washington), Storks (animated), Closet Monster (Connor Jessup), The Dressmaker (Kate Winslet, Liam Hemsworth), The Lovers and the Despot (documentary), The Queen of Katwe (David Oyelowo), and The Ruins of Lifta (documentary). Continue reading for summaries and trailers of the new films for this weekend.
Director Antoine Fuqua brings his modern vision to a classic story in Metro-Goldwyn-Mayer Pictures’ and Columbia Pictures’ The Magnificent Seven. With the town of Rose Creek under the deadly control of industrialist Bartholomew Bogue (Peter Sarsgaard), the desperate townspeople employ protection from seven outlaws, bounty hunters, gamblers and hired guns — Sam Chisolm (Denzel Washington), Josh Farraday (Chris Pratt), Goodnight Robicheaux (Ethan Hawke), Jack Horne (Vincent D’Onofrio), Billy Rocks (Byung-Hun Lee), Vasquez (Manuel Garcia-Rulfo), and Red Harvest (Martin Sensmeier). As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.
Storks deliver babies…or at least they used to. Now they deliver packages for a global internet retail giant. Junior (Andy Samberg), the company’s top delivery stork, is about to be promoted when he accidentally activates the Baby Making Machine, producing an adorable and wholly unauthorized baby girl. Desperate to deliver this bundle of trouble before the boss gets wise, Junior and his friend Tulip, the only human on Stork Mountain, race to make their first-ever baby drop – in a wild and revealing journey that could make more than one family whole and restore the storks’ true mission in the world.
A fresh take on the coming-of-age story, this surreal tale follows the artistically driven Oscar (American Crime’s Connor Jessup) hovering on the brink of adulthood. Struggling to find his place in the world after a rough childhood and haunted by images of a tragic incident, Oscar dreams of escaping his small town. After he meets a mysterious and attractive new co-worker, Oscar follows the guidance of his pet hamster Buffy (voiced by Isabella Rossellini) and faces his demons to find the life he wants.
In this adaptation of Rosalie Ham’s best-selling novel, a glamorous dressmaker (Kate Winslet) returns to her hometown in rural Australia to reconnect with her ailing mother (Judy Davis) and exact sweet revenge on the community that banished her as a child. As her plan unfolds, she finds love with a local man (Liam Hemsworth) and success transforming the town with her exquisite creations.
The Lovers and the Despot tells the story of young, ambitious South Korean filmmaker Shin Sang-ok and actress Choi Eun-hee, who met and fell in love in 1950s post-war Korea. In the 70s, after reaching the top of Korean society following a string of successful films, Choi was kidnapped in Hong Kong by North Korean agents and taken to meet Kim Jong-il. While searching for Choi, Shin also was kidnapped, and following five years of imprisonment, the couple was reunited by the movie-obsessed Kim, who declared them his personal filmmakers. Choi and Shin planned their escape, but not before producing 17 feature films for the dictator and gaining his trust in the process.
For 10-year-old Phiona Mutesi (Nalwanga) and her family, life in the impoverished slum of Katwe in Kampala, Uganda, is a constant struggle. Her mother, Harriet (Nyong’o), is fiercely determined to take care of her family and works tirelessly selling vegetables in the market to make sure her children are fed and have a roof over their heads. When Phiona meets Robert Katende (Oyelowo), a soccer player turned missionary who teaches local children chess, she is captivated. Chess requires a good deal of concentration, strategic thinking and risk taking, all skills which are applicable in everyday life, and Katende hopes to empower youth with the game. Phiona is impressed by the intelligence and wit the game requires and immediately shows potential. Recognizing Phiona’s natural aptitude for chess and the fighting spirit she’s inherited from her mother, Katende begins to mentor her, but Harriet is reluctant to provide any encouragement, not wanting to see her daughter disappointed. As Phiona begins to succeed in local chess competitions, Katende teaches her to read and write in order to pursue schooling. She quickly advances through the ranks in tournaments, but breaks away from her family to focus on her own life. Her mother eventually realizes that Phiona has a chance to excel and teams up with Katende to help her fulfill her extraordinary potential, escape a life of poverty and save her family.
Lifta is the only Arab village abandoned in the 1948 Arab-Israeli war that has not been completely destroyed or repopulated by Jews. Its ruins are now threatened by an Israeli development plan that would convert it into an upscale Jewish neighborhood. Discovering that his parents’ Holocaust experiences may have distorted his views of the Israeli-Palestinian conflict, Menachem–the filmmaker and an Orthodox Jew from Brooklyn–sets out to establish a personal relationship with a Palestinian. He meets Yacoub, who was expelled from Lifta and now leads the struggle to save the haunting ruins of his village from Israeli plans to build luxury villas on the site. Learning that Lifta was once a place where Jews and Arabs got along, Menachem join’s Yacoub’s campaign in the hopes that Lifta can serve as a place of reflection and reconciliation. This sets up a climactic encounter between a Holocaust survivor and a Nakba refugee amidst the ruins of Lifta.