New movies this weekend include The Divergent Series: Allegiant (Shailene Woodley, Theo James), Miracles from Heaven (Jennifer Garner), The Brainwashing of My Dad (documentary), The Bronze (Melissa Rauch), Kapoor and Sons (Fawad Khan), Krisha (Krisha Fairchild), The Little Prince (animated), Midnight Special (Michael Shannon), My Golden Days (Matheiu Amalric), and Too Late (Natalie Zea). Allegiant is at the top of my list. I have not read the books, so I’m curious to see how the third story ends. Continue reading for summaries and trailers of the new films for this weekend.
After the earth-shattering revelations of Insurgent, Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time ever, they will leave the only city and family they have ever known. Once outside, old discoveries are quickly rendered meaningless with the revelation of shocking new truths. Tris and Four must quickly decide who they can trust as a ruthless battle ignites beyond the walls of Chicago which threatens all of humanity. In order to survive, Tris will be forced to make impossible choices about courage, allegiance, sacrifice and love.
Miracles from Heaven is based on the incredible true story of the Beam family. When Christy (Jennifer Garner) discovers her 10-year-old daughter Anna (Kylie Rogers) has a rare, incurable disease, she becomes a ferocious advocate for her daughter’s healing as she searches for a solution. After Anna has a freak accident and falls three stories, a miracle unfolds in the wake of her dramatic rescue that leaves medical specialists mystified, her family restored and their community inspired.
As filmmaker, Jen Senko, tries to understand the transformation of her father from a non political, life-long Democrat to an angry, Right-Wing fanatic, she uncovers the forces behind the media that changed him completely: a plan by Roger Ailes under Nixon for a media takeover by the GOP, The Powell Memo urging business leaders to influence institutions of public opinion, especially the universities, the media and the courts, and under Reagan, the dismantling of the Fairness Doctrine. As her journey continues, we discover that her father is part of a much broader demographic, and that the story is one that affects us all.
A decade ago, Hope Ann Greggory (Melissa Rauch) was America’s sweetheart. Her inspired performance on a ruptured Achilles at the world’s most prestigious gymnastics tournament clinched an unlikely bronze medal for the U.S. team and brought glory to her hometown of Amherst, Ohio. But in the years since that epic third place victory, Hope hasn’t done a whole lot with her life. Still living in her dad Stan’s (Gary Cole) basement, still sporting her daily uniform of a Team USA gym suit with teeny-bopper bangs, ponytail and scrunchie, she spends her days at the mall milking her minor celebrity for free food and favors.
A rollercoaster of laughs, tears and emotions! Kapoor and Sons, a dramedy with soul. Watch the trailer now. Starring Rishi Kapoor, Sidharth Malhotra, Alia Bhatt, Fawad Khan, Rajat Kapoor and Ratna Pathak Shah.
When Krisha shows up at her sister’s Texas home on Thanksgiving morning, her close and extended family greet her with a mixture of warmth and wariness. Almost immediately, a palpable unease permeates the air, one which only grows in force as Krisha gets to work cooking the turkey and trying to make up for lost time by catching up with her various relatives, chief among them her nephew, Trey. As Krisha’s attempts at reconciliation become increasingly rebuffed, tension and suspicion reach their peak, with long-buried secrets and deep-seated resentments coming to the fore as everyone becomes immersed in an emotionally charged familial reckoning.
From Mark Osborne comes the first-ever animated feature film adaptation of Antoine de Saint-Exupéry’s iconic masterpiece, The Little Prince. At the heart of it all is The Little Girl, who’s being prepared by her mother for the very grown-up world in which they live — only to be interrupted by her eccentric, kind-hearted neighbor, The Aviator. The Aviator introduces his new friend to an extraordinary world where anything is possible. A world that he himself was initiated into long ago by The Little Prince. It’s here that The Little Girl’s magical and emotional journey into her own imagination – and into the universe of The Little Prince — begins. And it’s where The Little Girl rediscovers her childhood and learns that ultimately, it’s human connections that matter most, and that what’s truly essential can only be seen with the heart.
What starts as a race from religious extremists and local law enforcement quickly escalates to a nationwide manhunt involving the highest levels of the Federal Government. Risking everything, Roy is committed to helping Alton reach his ultimate purpose, whatever that might be and whatever it costs, in a story that takes audiences on a perilous journey from Texas to the Florida coast, while exploring the bonds of love and trust, and the nature of faith.
My Golden Days is the story of Paul Dédalus, an anthropologist preparing to leave Tajikistan (played in his middle age by Matheiu Amalric). Reflecting on his life, he has a series of flashbacks starting from his childhood in Roubaix—his mother’s attacks of madness, his father’s alienating depression. He remembers a student trip to the USSR, where a clandestine mission led him to offer up his own identity for a young Russian, whom he considered a phantom twin for the remainder of his life. He remembers University life, and returning to his hometown to party with his sister and her best friend, his shifting circle of friends and their casual betrayals. And most of all he remembers Esther, the beautiful, rude, haughty soul and love of his life.
Private investigator Mel Sampson (Academy Award nominee John Hawkes) is tasked with tracking down the whereabouts of a missing woman from his own past. With this familiar setup, Too Late takes the spine of the classic private eye genre and tears it to pieces, weaving it back together into a tapestry of southern California and the menagerie of eccentric personalities and lost souls who inhabit it. From the desolate, overgrown Radio Hill to the ritzy penthouse of The Beverly Hilton, the film presents a sprawling view of Los Angeles that ranges from the undiscovered to the iconic.